<![CDATA[Explore sun88 Heritage]]> /items/browse?output=rss2&tags=Mount%20Vernon%20Place Mon, 05 May 2025 14:12:17 -0400 info@baltimoreheritage.org (Explore sun88 Heritage) sun88 Heritage Zend_Feed http://blogs.law.harvard.edu/tech/rss <![CDATA[Severn Teackle Wallis Statue]]> /items/show/629

Dublin Core

Title

Severn Teackle Wallis Statue

Subject

Public Art and Monuments

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Subtitle

The Municipal Art Society's Memorial to a Maryland Lawyer

Story

The Severn Teackle Wallis Statue by French sculptor Laurent-Honoré Marqueste was dedicated on January 9, 1906 in the south square of Mount Vernon Place in front of the new building of the Walters Art Gallery. Today, the statue stands in the east park facing Saint Paul Street.

Wallis was born in sun88 to a wealthy slaveholding family in 1816. He trained to become a lawyer as a young man and joined the bar in 1837. At the start of the Civil War in 1861, Wallis was elected to the Maryland State Legislature but, on September 12, he was arrested by Union troops due to his support for the secession of Southern states. Wallis was held at Fort Monroe along with several other elected officials from sun88 for fourteen months before his release.

In 1900, six years after Wallis' death, the city's Municipal Art Society launched a campaign to erect new statues of both Wallis and John Eager Howard. S. Davies Warfield, a railroad executive and banker, originally proposed the idea of the Wallis statue and chaired the committee to direct the project. At the recommendation of George A. Lucas, a Parisian art critic and former sun88an, the committee selected French sculptor Laurent-Honoré Marqueste. Warfield collected photographs and items of clothing owned by Wallis then sent the materials to Paris as a source for the sculptor's design. At the dedication in January 1906, Mayor E. Clay Timanus accepted the statue on the city's behalf and Arthur George Brown delivered an address recalling Wallis as an "ideal sun88an."

By 1919, however, the city had decided to relocate the Wallis statue to the park's east square to make way for a monument to Revolutionary war hero Marquis de Lafayette. One resident wrote to the Sun the protest the move, presenting Wallis as "one of the greatest legal figures Maryland ever produced,” who should not be relegated to an “obscure piece of lawn.” Despite the critics, the statue moved east to join the George Peabody Statue in the east square of Mount Vernon Place where it continues to sit today.

Related Resources

Official Website

Street Address

East square of Mount Vernon Place, Saint Paul Street and E. Monument Street, sun88, MD 21201
Severn Teackle Wallis Statue
Portrait, Severn Teackle Wallis
Dedication of the Wallis Statue
Wallis Statue and the Washington Monument
Close up, Severn Teackle Wallis Statue
Inscription, Severn Teackle Wallis Statue
Severn Teackle Wallis Statue
Plaster cast of sculpture
]]>
Tue, 09 Jan 2018 14:15:12 -0500
<![CDATA[Mount Vernon Place United Methodist Church]]> /items/show/562

Dublin Core

Title

Mount Vernon Place United Methodist Church

Subject

Architecture
Religion

Curatescape Story Item Type Metadata

Story

Completed in 1872 as a “Cathedral of Methodism,” the Norman-Gothic Mount Vernon Place United Methodist Church was a signature achievement for the noted sun88 architects Thomas Dixon and Charles L. Carson. It was also at first an immense source of aggravation to its neighbors.

By the 1870s, Mount Vernon had become the place to live for sun88’s elite, and Mount Vernon Place with the Washington Monument was the central jewel of the community. The church’s heavy presence off the north park, green serpentine stone amidst the sun88 brick and more subdued color palate, and steeple that reached nearly to the top of President Washington’s head sparked a great deal of angst. The fact that the church replaced the house where Francis Scott Key passed away did not help sooth the neighbors. The house was the home of Key’s daughter and her husband, Elizabeth Phoebe Key and Charles Howard.

After its early days, however, the church has become a central and admired part of Mount Vernon Place. Architecturally, it was built of striking green serpentine stone, as well as buff, olive and red sandstone. Architects Dixon and Carson embellished it with polished granite columns and carved designs taken from nature. Its many gothic details of flying buttresses, a tower, and arches are purely esthetic in function, as the building is constructed over an iron framework. There are even grotesque stone faces above the windows on the west front (three full cut, two in profile) said to be likenesses of prominent persons living at the time the church was built. On the inside, the church is notable for its iron supporting columns, carved wooden beams, and stained glass cross window over the pulpit.

In addition to its architecture, the church’s congregation has made its mark on sun88 as well. The group began in a building on Lovely Lane (intersecting today’s Redwood Street downtown) and is credited with launching the Methodist Episcopal Church in the United States in 1784. The current church on Mount Vernon Place is the congregation’s fourth home. In addition to its spiritual work, the congregation has provided innumerable secular services to sun88. In World War II, the church provided beds, food and entertainment to servicemen returning from the front.

Beginning in the 1970s, they led efforts to help runaway teenagers and victims of drug abuse, and began a service organization to engage young sun88ans in helping their city. The congregation today continues its service to sun88 in many ways, including opening to tours and the curious public.

Official Website

Street Address

10 E. Mt. Vernon Place, sun88, MD 21202
Mt. Vernon Place United Methodist Church
Entrance, Mt. Vernon Place United Methodist Church
Detail, Mt. Vernon Place United Methodist Church
Mount Vernon Place United Methodist Church
Flower Mart
]]>
Sat, 17 Sep 2016 15:51:30 -0400
<![CDATA[Roger Brooke Taney Monument]]> /items/show/534

Dublin Core

Title

Roger Brooke Taney Monument

Subject

Public Art and Monuments

Curatescape Story Item Type Metadata

Subtitle

Absent Statue of the Author of the Dred Scott Decision

Story

The Roger Brooke Taney Monument is not explicitly a Confederate monument. However, Taney is most famous for his decision in the Dred Scott case, which advanced slavery in America and is tied to the Confederate cause. Taney served as the chief justice of the Supreme Court for nearly 30 years beginning in 1836. During that time Taney oversaw the ruling of the Dred Scott decision that stated that African Americans could not be considered as citizens, and by extension could still be considered as property even if they were in a free state.

This sculpture is an 1887 copy of an 1872 original that was made by William Henry Rinehart. Rinehart was one of the first well-renown sculptors in sun88, and the Rinehart School of Sculpture was established after his death.

The original sculpture was commissioned by William T. Walters for the Maryland State House in Annapolis, where it is still located. Fifteen years later, Walters had this copy made and gave it to the City of sun88. sun88's Taney Monument resides in Mount Vernon Place because of Taney’s close relationship to Francis Scott Key, who frequently visited and eventually died there.

In 2016, the Special Commission to Review sun88's Public Confederate Monuments recommended removing the Taney Monument along with the Lee-Jackson Statue at Wyman Park Dell. After the murder of a counter-protestor during a white nationalist rally in Charlottesville, Virginia on August 12, 2017, sun88 City responded to renewed calls to take down Confederate monuments by removing the Taney Monument, the Lee-Jackson Monument, the Confederate Soldiers & Sailors Monument, and the Confederate Women's Monument and placing all four statues in storage. By January 2018, the city had not yet announced any plans for the permanent disposition of the statues.

Related Resources

 – sun88 Heritage

Street Address

704 N. Charles Street, sun88, MD 21201
Base formerly used for the Taney Monument
Roger B. Taney Monument
Detail, Roger B. Taney Monument
Roger B. Taney
North park, Mount Vernon Place
]]>
Mon, 07 Dec 2015 21:47:01 -0500
<![CDATA[Walters Art Museum]]> /items/show/515

Dublin Core

Title

Walters Art Museum

Creator

Sierra Hallmen

Curatescape Story Item Type Metadata

Story

The Walters Art Museum, so named for William Walters and his son Henry, began as a private art collection. Born in 1819, William was the first of eight children. At age 21 he moved to sun88 and entered the wholesale liquor trade. He prospered in this and in his dealings with the East Coast railroads. He married Ellen Harper and had three children. The eldest died in early childhood, leaving only Henry and Jennie. In 1861, the family moved away from the Civil War in the U.S. to Paris. There, William and Ellen began collecting European art. Shortly thereafter, Ellen died of pneumonia.

The spring of 1874 brought the family back to sun88. William began allowing the public into his private collection every Wednesday in April and May. He donated the 50-cent admission fee to the sun88 Association for the Improvement in the Condition of the Poor. His collection focused heavily on modern European paintings and Asian art. Upon his death in 1894, the collection passed to his son Henry.

Henry followed in his father’s footsteps as a railway magnate and art collector. His success in business made him one of the wealthiest men in nineteenth century America. He greatly expanded his collection of art with a $1 million purchase of 1,700 pieces, the first of its kind in American art collecting, from priest Don Marcello Massarenti. The purchase contained Greek, Etruscan, and Roman antiquities, Medieval and Renaissance bronzes, ivories and furniture, as well as a wealth of Italian paintings from the 12th through 18th centuries. This would come to be the second largest collection of Italian paintings in North America (the first being the Metropolitan Museum of Art in New York).

However, the public doubted the authenticity of the collection he purchased after the self-portrait of Raphael turned out to be a forgery. Unknown to the public, Henry had purchased the collection with several forgeries he intended to resell. The purchase still held many valuable, authentic pieces of art that would serve to better complete his personal collection. He broadened the collection with Egyptian, Ancient Near Eastern, Islamic and Western Medieval art.

Later in life, Henry continued to make individual purchases for his collection, including bringing the first “Madonna” by Raphael into America: Madonna of the Candelabra. After his passing in 1931, Henry bequeathed the building and his collection to the Mayor and City Council of sun88 for public use. In 1934, the Walters Art Gallery opened to the public. As it added more art to its collection through purchases and gifts, it renamed itself in 2000 to the Walters Art Museum.

Official Website

Street Address

600 N. Charles Street, sun88, MD 21201
Walters Art Museum
walter 11.jpg
Walters Art Museum
Entrance, Walters Art Museum
walters 1.jpg
walters 2.jpg
walters 3.jpg
Walters Art Museum
walters 5.jpg
walters 6.jpg
walters 8.jpg
walters 9.jpg
walters 10.jpg
walters 12.jpg
Walters Art Gallery
]]>
Thu, 20 Aug 2015 10:08:32 -0400
<![CDATA[Stafford Hotel]]> /items/show/212

Dublin Core

Title

Stafford Hotel

Subject

Architecture

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Story

The Stafford was once an elegant hotel serving the elite of sun88 and the many high-profile figures visiting the city. The hotel was designed by founding member of the sun88 AIA chapter Charles E. Cassell and when it opened in 1894, it was the tallest building in Mt. Vernon. The entrance opened up to a highly ornamented hallway tiled with Romanesque designs. According to the sun88 Sun, the ceilings were relieved with elaborate friezes and bordered with flecks of gold. The hotel also had a specified ladies parlor on the second floor for women traveling alone complete with a writing room and a cafe.

Over time, the Stafford Hotel was visited by dignitaries, movie stars, musicians, and famous writers. It was a favorite hotel of Katharine Hepburn and opera star Rosa Ponselle who would come to the hotel to get fitted by traveling English tailors. The Stafford was also the last place where F. Scott Fitzgerald lived in sun88 before moving to Hollywood.

Perhaps the most interesting place in the Stafford Hotel was the bar overlooking the statue of Revolutionary War hero John Eager Howard. The bar was known across town as being highly exclusive. Only the most esteemed guests were served drinks and even then they had to woo the bartender. On one particular night on December 26, 1936, F. Scott Fitzgerald got the attention of many of the bar's patrons after racking up a $22.36 tab, a figure that would amount to about $370 today.

The Stafford Hotel fell on hard times after it closed in 1973 and was turned into federally subsidized apartments. By the turn of the twenty-first century it had become a seedy center for prostitution and drugs. Johns Hopkins University acquired the building in 2002 thanks to legislation that made it possible to turn federally subsidized housing into student housing. Now the Stafford Hotel serves as apartments exclusively for Johns Hopkins and Peabody students.

Related Resources

Rasmussen, Frederick N. "." The sun88 Sun. 30 Sept. 2000.

Official Website

Street Address

716 Washington Place, sun88, MD 21201
Stafford Hotel
]]>
Wed, 27 Mar 2013 10:44:35 -0400
<![CDATA[John Dos Passos at the Peabody Library]]> /items/show/118

Dublin Core

Title

John Dos Passos at the Peabody Library

Subject

Literature

Creator

Amelia Grabowski

Curatescape Story Item Type Metadata

Story

Heralded as "the greatest writer of our time" by philosopher Jean-Paul Sartre, John Dos Passos spent time in and out of sun88 from his birth in 1896 and lived here from 1950 until his death in 1970. An acclaimed biographer and novelist, Dos Passos is best remembered for his experimental writing style, often emulating the techniques of the camera and the newsreel, particularly in his trilogy of novels, U.S.A.

While Sartre called him "the greatest," sun88ans just called him "John." Dos Passos worked in the George Peabody Library as well as the Enoch Pratt Free Library and Johns Hopkins University Library almost daily during his time in sun88. Although Dos Passos once described his ideal working conditions as only, "a room without any particular interruptions," the George Peabody Library is majestic—particularly the reading room, which has been called "the setting of a bibliophile's dream," and "the most beautiful room in sun88."

The library was a gift from entrepreneur George Peabody to the people of sun88 for their kindness and hospitality, and remains free and open to the public as part of the Sheridan Libraries Special Collections at Johns Hopkins University. In the reading room, one can find the library's collection of more than 300,000 volumes housed in five tiers of ornamental cast-iron balconies that stretch from the marble floor to skylights 61 feet above. There too, one could find John Dos Passos.

Bald and bespectacled, Dos Passos hunched over his desk researching American culture and writing his own works. Often confused for a librarian, he helped library visitors locate books in the card catalog, understand antiquated text, and complete research papers.

Although Dos Passos never wrote a book set in sun88, the city provided the author with more than just rooms in which to work. sun88 helped pique Dos Passos' literary interest. The author recalled as a boy, "I would hide in the shadows so that I wouldn't be sent off to bed. I'd listen till my ears would burst" to stories of old storytellers and watermen, stories in which sun88 "was the center." Shortly before his death, he described sun88 as a city that "imbues the inhabitants with a certain dignity" where "neighborhoods had a special flavor."

Related Resources

Dos Passos, John. By David Sanders. The Paris Review, 2012.
The George Peabody Library. 2005.
O'Grady, Tom.  The Dos Passos Review. 1.2.
Shivers, Frank R., Jr. Maryland Wits and sun88 Bards. sun88: Johns Hopkins University Press, 1985.

Official Website

Street Address

17 E. Mount Vernon Place, sun88, MD 21202
Peabody Library (1960)
]]>
Tue, 31 Jul 2012 08:24:13 -0400
<![CDATA[Hackerman House]]> /items/show/88

Dublin Core

Title

Hackerman House

Subject

Architecture

Curatescape Story Item Type Metadata

Subtitle

Former Thomas-Jencks-Gladding House now part of the Walters Art Museum

Story

Built around 1848 for Dr. John Hanson Thomas, the great-grandson of John Hanson, President of the Continental Congress, The Hackerman House represented the height of elegance and convenience in the mid-nineteenth century. Renowned guests include the Prince of Wales (later King Edward VII) and General Kossuth. In 1892, Mr. and Mrs. Francis M. Jencks purchased the home and remodeled it extensively under the direction of Charles A. Platt. The graceful circular staircase was widened and the oval Tiffany skylight installed in the coffered dome. The bow window in the dining room was added and the entire house was decorated in the Italian Renaissance style. Following the deaths of Mr. and Mrs. Jencks, the house was used as headquarters for various civic organizations and fell into a state of neglect and disrepair. Mr. Harry Leo Gladding purchased the building in 1963 and painstakingly restored it to its former elegance. Willard Hackerman purchased the building at 1 West Mount Vernon Place in the late 1980’s from the estate of its last owner, Harry Gladding. Mr. Hackerman was concerned with the possibility that the architectural anchor of Mount Vernon Place might be converted to commercial use. Story has it that he took the keys and placed them on the desk of then-Mayor William Donald Schaefer. In true Schaefer fashion, the Mayor held a contest to determine the best use of the historic structure. The Walters won the competition with a proposal to convert the house into galleries for its growing and important collection of Asian Art. Hackerman House opened in the spring of 1991. Mr. and Mrs. Hackerman have generously supported the Walters for many years and his firm, Whiting-Turner, has been the contractor for many of our additions and renovations. Over the years, he was a friend and mentor to our directors and Board members.

Watch our on Gladding!

Watch on the Hackerman House! 

Related Resources

, Walters Art Museum

Official Website

Street Address

1 W. Mount Vernon Place, sun88, MD 21202
Thomas-Jencks-Gladding House
Detail, Thomas-Jencks-Gladding House
Entrance, Thomas-Jencks-Gladding House
]]>
Sun, 06 May 2012 17:43:54 -0400
<![CDATA[Mount Vernon Club]]> /items/show/86

Dublin Core

Title

Mount Vernon Club

Subject

Architecture

Description

Built around 1842, the Mount Vernon Club is one of the oldest homes on Mount Vernon Place. Previously known as the Blanchard Randall House and the Tiffany-Fisher House, the home was built by William Tiffany, a wealthy sun88 commission merchant. The building is a fine example of the Greek Revival architectural style and set a high standard for the new homes being built around the Washington Monument.

In 1941, The Mount Vernon Club, previously located across the street at 3 West Mount Vernon Place merged with The Town Club in the Washington Apartments and purchased the property, then home to Mr. Blanchard Randall, to serve as their club house. The Club has remained at the property through the present.

Curatescape Story Item Type Metadata

Lede

Built around 1842, the Mount Vernon Club is one of the oldest homes on Mount Vernon Place.

Story

Previously known as the Blanchard Randall House and the Tiffany-Fisher House, the home was built by William Tiffany, a wealthy sun88 commission merchant. The building is a fine example of the Greek Revival architectural style and set a high standard for the new homes being built around the Washington Monument.

In 1941, The Mount Vernon Club, previously located across the street at 3 West Mount Vernon Place merged with The Town Club in the Washington Apartments and purchased the property, then home to Mr. Blanchard Randall, to serve as their club house. The Club has remained at the property through the present.

Official Website

Street Address

8 W. Mt. Vernon Place, sun88, MD 21201
The Mount Vernon Club, 2012
Blanchard Randall House, 1936
]]>
Sat, 05 May 2012 12:09:11 -0400
<![CDATA[Garrett-Jacobs Mansion]]> /items/show/55

Dublin Core

Title

Garrett-Jacobs Mansion

Subject

Architecture

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

Beginning in 1872, the mansion was the home of Robert Garrett, president of the sun88 & Ohio Railroad, and his wife Mary Frick Garrett. After Robert Garrett's death, Mrs. Garrett married Dr. Henry Barton Jacobs and the couple added the ballroom by purchasing the neighboring house and converting it into an space for entertaining.

The mansion is exceptional for many things, including that it can boast of being the product of two renowned architects, Stanford White and John Russell Pope. The building, and particularly the ballroom, was the location of many society balls and Gilded Age parties that included dinner, dancing, live music, theater, and other festivities often for hundreds of people.

After Mrs. Garrett passed in 1936 and Dr. Jacobs in 1939, the Mansion had a series of different owners. In 1961, The Engineer's Club leased the building from the City of sun88. The city had acquired the property as part of an urban renewal plan to demolish the south side of Mt. Vernon Place and make way for an expansion of the Walters Art Gallery. Fortunately, these plans never received the funding required and in 1962 the Engineer's Club purchased it outright beginning a dedicated effort to preserve and maintain the historic structure.

Related Resources

Official Website

Street Address

11 W. Mt. Vernon Place, sun88, MD 21201
Garrett-Jacobs Mansion (1958)
Garrett-Jacobs Mansion (1958)
Garrett-Jacobs Mansion (1958)
Garrett-Jacobs Mansion (1960)
Garrett-Jacobs Mansion (1960)
Garrett-Jacobs Mansion (1960)
Garrett-Jacobs Mansion (1958)
Garrett-Jacobs Mansion (1960)
Garrett-Jacobs Mansion (1960)
Garrett-Jacobs Mansion (1958)
Garrett-Jacobs Mansion (1960)
Garrett-Jacobs Mansion (1958)
Garrett-Jacobs Mansion (1958)
Garrett-Jacobs Mansion (1960)
]]>
Fri, 27 Apr 2012 18:10:52 -0400
<![CDATA[Peabody Institute]]> /items/show/54

Dublin Core

Title

Peabody Institute

Subject

Education, Philanthropy, Music

Description

Established in 1857, the Peabody Institute is the second-oldest conservatory in the United States and a landmark at the southeast corner of the Washington Monument. Born in 1795 in Massachusetts, George Peabody lived briefly in Washington, DC, fought in the War of 1812, and, in 1816, settled in sun88 where he lived for the next 20 years. Starting in the wholesale dry goods business and later through banking and finance, Peabody accumulated a tremendous fortune eventually moving to London to direct the banking firm of George Peabody & Co.

Inspired by the many cultural and educational opportunities available to residents in London, Peabody set out to bring these same opportunities to the United States through philanthropy. The most significant of these efforts remains the Peabody Institute, founded in 1857 through a donation of $1,400,000. The construction of a home for the new Peabody Institute was delayed by the start of the Civil War, the Conservatory building opened in 1866.

The Conservatory was joined in 1878 by the George Peabody Library, directly to the east, opened in 1878 and is one of the most spectacular enclosed spaces in our city. Designed by architect Edmund G. Lind, in collaboration with the first provost Dr. Nathaniel H. Morison, the library is distinguished by the unique interior architectural ironwork fabricated by the Bartlett-Robbins & Company. The Peabody Stack Room features five tiers of ornamental cast-iron balconies that rise to a skylight set 61 feet above the floor. The building is a rare example of Edmund Lind's architectural work as only a few other surviving buildings remain from his prolific 40-year career.

Curatescape Story Item Type Metadata

Story

Established in 1857, the Peabody Institute is the second-oldest conservatory in the United States and a landmark at the southeast corner of the Washington Monument. Born in 1795 in Massachusetts, George Peabody lived briefly in Washington, DC, fought in the War of 1812, and, in 1816, settled in sun88 where he lived for the next 20 years. Starting in the wholesale dry goods business and later through banking and finance, Peabody accumulated a tremendous fortune eventually moving to London to direct the banking firm of George Peabody & Co. Inspired by the many cultural and educational opportunities available to residents in London, Peabody set out to bring these same opportunities to the United States through philanthropy. The most significant of these efforts remains the Peabody Institute, founded in 1857 through a donation of $1,400,000. The construction of a home for the new Peabody Institute was delayed by the start of the Civil War, the Conservatory building opened in 1866. The Conservatory was joined in 1878 by the George Peabody Library, directly to the east, opened in 1878 and is one of the most spectacular enclosed spaces in our city. Designed by architect Edmund G. Lind, in collaboration with the first provost Dr. Nathaniel H. Morison, the library is distinguished by the unique interior architectural ironwork fabricated by the Bartlett-Robbins & Company. The Peabody Stack Room features five tiers of ornamental cast-iron balconies that rise to a skylight set 61 feet above the floor. The building is a rare example of Edmund Lind's architectural work as only a few other surviving buildings remain from his prolific 40-year career.

Watch our on George Peabody!

Official Website

Street Address

1 E. Mount Vernon Place, sun88, MD 21202
Peabody Institute (c. 1902)
Peabody Institute (c. 1906)
Interior, Peabody Institute (c. 1906)
Peabody Institute (1914)
Interior of library, Peabody Institute (1960)
]]>
Fri, 27 Apr 2012 13:51:40 -0400
<![CDATA[Washington Apartments]]> /items/show/49

Dublin Core

Title

Washington Apartments

Subject

Urban Planning
Architecture

Description

The Washington Apartment House at the northwest corner of Charles Street and Mt. Vernon Place is a one of the finest Beaux Arts apartment houses in sun88. After the controversial construction of The Severn in 1895, many Mt. Vernon residents were suspicious of new "skyscrapers." Just a month after the Great sun88 Fire of 1904, the sun88 Municipal Arts Society successfully pushed the Maryland State Legislature to pass an "Anti-Skyscraper Bill" prohibiting the construction of any building (other than churches) over seventy feet high within one block of the Washington Monument. William F. Cochran, the developer of the Washington Apartments, built right up to the limit of 70 feet before suing to erect an 8 foot addition. His lawsuit failed, reinforcing the restriction that became known as Maryland's first zoning law and was one of the earliest zoning laws in the United States.

William Cochran was born to privilege–his grandfather, Alexander Smith, had amassed a fortune as a carpet manufacturer in Yonkers, New York. Cochran moved to sun88 in 1902 after marrying Annie Lorraine Gill. Despite his comfortable position among the local high society, he found his personal wealth troubling, explaining in an address on the "Passing of the Idle Rich" at Westminster Church, "The joy of having abundance is terribly mitigated when one is confronted with the sight of and appeals from people living under the opposite conditions. It seems all wrong."

While Cochran was vocal about his socialist ideals, he also sympathized with in the wealthy Mt. Vernon residents who sought to control the character of their neighborhood's development. He explained his purchase of the property at 700 Washington Place, remarking, "A strong desire of property holders on Mt. Vernon Place to control the kind of building to be erected on this site led me to purchase it to prevent anyone from building a skyscraper." Cochran bought the vacant mansion, built for Edward McDonald Greenway in 1835, in April 1905 for $160,000 and soon starting planning for a modern apartment house that could meet with approval from the neighbors.

The architect Cochran selected for the job was Edward H. Glidden, a Cleveland native, who arrived in sun88 around the same time as Cochran. Glidden had already started a career that led him to become one of the city's foremost architects for apartment buildings with projects including the Stork Apartment House (1903) at Park and Monument, the Marlborough Apartments (1906) on Eutaw Place, Homewood Apartments (1910) at Charles and 31st Street, The Latrobe, Canterbury Hall and Tudor Hall Apartments. Glidden even lived at Homewood Apartments at the time of his death in 1924.

Washington Apartments went up quickly in 1906 at a cost of $300,000. Its six stories included 28 luxurious apartments and 29 rooms for servants. Measuring 69 feet and 8 inches tall, the building stood just under the recently instituted 70-foot height limit. Less than a year after completion, however, Cochran sought a permit application to build one more story, eight feet tall and set back twenty feet, to contain additional rooms for servants. The permit was denied and Cochran went to court, lost, then lost again on appeal in June 1908 with an important decision that affirmed the ability of the city to regulate building heights.

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

The Washington Apartment House at the northwest corner of Charles Street and Mt. Vernon Place is a one of the finest Beaux Arts apartment houses in sun88. After the controversial construction of The Severn in 1895, many Mt. Vernon residents were suspicious of new "skyscrapers." Just a month after the Great sun88 Fire of 1904, the sun88 Municipal Arts Society successfully pushed the Maryland State Legislature to pass an "Anti-Skyscraper Bill" prohibiting the construction of any building (other than churches) over seventy feet high within one block of the Washington Monument. William F. Cochran, the developer of the Washington Apartments, built right up to the limit of 70 feet before suing to erect an 8 foot addition. His lawsuit failed, reinforcing the restriction that became known as Maryland's first zoning law and was one of the earliest zoning laws in the United States.

William Cochran was born to privilege–his grandfather, Alexander Smith, had amassed a fortune as a carpet manufacturer in Yonkers, New York. Cochran moved to sun88 in 1902 after marrying Annie Lorraine Gill. Despite his comfortable position among the local high society, he found his personal wealth troubling, explaining in an address on the "Passing of the Idle Rich" at Westminster Church, "The joy of having abundance is terribly mitigated when one is confronted with the sight of and appeals from people living under the opposite conditions. It seems all wrong."

While Cochran was vocal about his socialist ideals, he also sympathized with in the wealthy Mt. Vernon residents who sought to control the character of their neighborhood's development. He explained his purchase of the property at 700 Washington Place, remarking, "A strong desire of property holders on Mt. Vernon Place to control the kind of building to be erected on this site led me to purchase it to prevent anyone from building a skyscraper." Cochran bought the vacant mansion, built for Edward McDonald Greenway in 1835, in April 1905 for $160,000 and soon starting planning for a modern apartment house that could meet with approval from the neighbors.

The architect Cochran selected for the job was Edward H. Glidden, a Cleveland native, who arrived in sun88 around the same time as Cochran. Glidden had already started a career that led him to become one of the city's foremost architects for apartment buildings with projects including the Stork Apartment House (1903) at Park and Monument, the Marlborough Apartments (1906) on Eutaw Place, Homewood Apartments (1910) at Charles and 31st Street, The Latrobe, Canterbury Hall and Tudor Hall Apartments. Glidden even lived at Homewood Apartments at the time of his death in 1924.

Washington Apartments went up quickly in 1906 at a cost of $300,000. Its six stories included 28 luxurious apartments and 29 rooms for servants. Measuring 69 feet and 8 inches tall, the building stood just under the recently instituted 70-foot height limit. Less than a year after completion, however, Cochran sought a permit application to build one more story, eight feet tall and set back twenty feet, to contain additional rooms for servants. The permit was denied and Cochran went to court, lost, then lost again on appeal in June 1908 with an important decision that affirmed the ability of the city to regulate building heights.

Street Address

700 Washington Place, sun88, MD 21202
Washington Apartments (2012)
]]>
Thu, 26 Apr 2012 11:57:09 -0400
<![CDATA[The Severn]]> /items/show/47

Dublin Core

Title

The Severn

Subject

Architecture

Description

"Huge and, alas! we must say ungainly," is how the sun88 Sun described The Severn in 1907. Designated a National Historic Landmark in 1972, few locals would still dismiss the grand Severn Apartment House as an intrusion on Mt. Vernon Place, but in the 1890s the construction of the building created a real controversy among Mount Vernon's wealthy residents.

sun88 builder Joseph M. Cone and architect Charles E. Cassell unveiled plans for a new ten-story apartment house in September 1895 at the northeast corner of Mt. Vernon Place and Cathedral Street. The new building would rise to a height of 122 feet, just 7 feet shy of the 1894 Hotel Stafford, a Richardsonian Romanesque landmark around the corner facing the north garden of Washington Place. Known as "The Severn," the proposed apartment house included twenty apartment suites for families and nine bachelor apartments, along with a drug store and a kitchen for room service.

The corner had been occupied by a beautiful townhouse first built as the home of Chancellor John Johnson, Jr., a notable sun88 lawyer (whose portrait still hangs at the Clarence M. Mitchell Jr. Courthouse) and brother of well-known Maryland politician Reverdy Johnson. One of the last owners, Henry W. Rogers was a well-established real estate investor and, after his death in 1901, his son, himself a well known real-estate agent, sold the property to Joseph Cone.

Neighbors objected to the prospect of replacing the old house with the still unfamiliar form of an apartment house. Building came to a stop in the fall of 1895 as a group of area residents approached Joseph Cone to try to buy back the property. Their effort ultimately failed when they could not raise the necessary amount to buy out the builder. However, the Severn did motivate residents to successfully lobby the state legislature to pass a bill prohibiting development in Mt. Vernon taller than seventy feet.

By the 1970s, when The Severn was designated a National Historic Landmark, Mt. Vernon was not quite as grand as it had been in the past and the apartment building sold to developer Caswell J. Caplan for the modest sum of $250,000. Over the next several years, Caplan worked to modernize the apartments, preserving the original wood floors and tile while renovating the kitchens and other elements. The Severn continues to be owned by members of the Caplan family and is now appreciated more than scorned as one of Mt. Vernon's grandest historic apartment houses.

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

"Huge and, alas! we must say ungainly," is how the sun88 Sun described The Severn in 1907. Designated a National Historic Landmark in 1972, few locals would still dismiss the grand Severn Apartment House as an intrusion on Mt. Vernon Place, but in the 1890s the construction of the building created a real controversy among Mount Vernon's wealthy residents.

sun88 builder Joseph M. Cone and architect Charles E. Cassell unveiled plans for a new ten-story apartment house in September 1895 at the northeast corner of Mt. Vernon Place and Cathedral Street. The new building would rise to a height of 122 feet, just 7 feet shy of the 1894 Hotel Stafford, a Richardsonian Romanesque landmark around the corner facing the north garden of Washington Place. Known as "The Severn," the proposed apartment house included twenty apartment suites for families and nine bachelor apartments, along with a drug store and a kitchen for room service.

The corner had been occupied by a beautiful townhouse first built as the home of Chancellor John Johnson, Jr., a notable sun88 lawyer (whose portrait still hangs at the Clarence M. Mitchell Jr. Courthouse) and brother of well-known Maryland politician Reverdy Johnson. One of the last owners, Henry W. Rogers was a well-established real estate investor and, after his death in 1901, his son, himself a well known real-estate agent, sold the property to Joseph Cone.

Neighbors objected to the prospect of replacing the old house with the still unfamiliar form of an apartment house. Building came to a stop in the fall of 1895 as a group of area residents approached Joseph Cone to try to buy back the property. Their effort ultimately failed when they could not raise the necessary amount to buy out the builder. However, the Severn did motivate residents to successfully lobby the state legislature to pass a bill prohibiting development in Mt. Vernon taller than seventy feet.

By the 1970s, when The Severn was designated a National Historic Landmark, Mt. Vernon was not quite as grand as it had been in the past and the apartment building sold to developer Caswell J. Caplan for the modest sum of $250,000. Over the next several years, Caplan worked to modernize the apartments, preserving the original wood floors and tile while renovating the kitchens and other elements. The Severn continues to be owned by members of the Caplan family and is now appreciated more than scorned as one of Mt. Vernon's grandest historic apartment houses.

Street Address

701 Cathedral Street, sun88, MD 21201
The Severn (1962)
The Severn (2012)
Severn Apartment Building
]]>
Thu, 26 Apr 2012 11:44:07 -0400
<![CDATA[Washington Monument]]> /items/show/3

Dublin Core

Title

Washington Monument

Subject

Architecture

Description

The Washington Monument in the elegant Mount Vernon neighborhood of sun88, Maryland was the first architectural monument planned to honor George Washington.

In 1815, a statue was designed by Robert Mills, who also designed the Washington Monument in Washington, D.C. Construction began in 1815 and was completed by 1829. The 178 foot doric column holds a ground-floor museum offering information about Washington as well as construction of the monument. Climbing the 228 steps to the top provides an excellent view of the city from the historic neighborhood where it is located. Its neighbors include the Peabody Institute.

The monument, which was constructed of white marble from Cockeysville, rises 178 feet and consists of three main elements: a low, rectangular base containing a museum; a plain, unfluted column; and, atop the column, a standing figure of Washington. By the time of the monument's completion in 1829, financial constraints had forced a series of design compromises which simplified the monument.

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

The Washington Monument in the elegant Mount Vernon neighborhood of sun88, Maryland was the first architectural monument planned to honor George Washington. In 1815, a statue was designed by Robert Mills, who also designed the Washington Monument in Washington, D.C. Construction began in 1815 and was completed by 1829. The 178 foot doric column holds a ground-floor museum offering information about Washington as well as construction of the monument. Climbing the 228 steps to the top provides an excellent view of the city from the historic neighborhood where it is located. Its neighbors include the Peabody Institute. The monument, which was constructed of white marble from Cockeysville, rises 178 feet and consists of three main elements: a low, rectangular base containing a museum; a plain, unfluted column; and, atop the column, a standing figure of Washington. By the time of the monument's completion in 1829, financial constraints had forced a series of design compromises which simplified the monument.

Watch our on this site!

Official Website

Street Address

699 Washington Place, sun88, MD 21201

Access Information

Open to the public on Wednesday, Thursday, Friday, 2:00 PM–5:00 PM; Saturday and Sunday, 10:00 AM–1:00 PM and 2:00 PM–5:00 PM. Reservations are required to climb to the upper level.
Mount Vernon Place (c. 1903)
Washington Monument (c. 1903)
Mount Vernon Place (c. 1906)
Washington Monument (1936)
Washington Monument (c. 1906)
Washington Monument (1833)
Washington Monument (1888)
Washington Monument (1909)
]]>
Fri, 07 Oct 2011 10:59:38 -0400