/items/browse?output=atom&tags=Industrial%20building <![CDATA[Explore sun88 Heritage]]> 2025-05-05T14:53:01-04:00 Omeka /items/show/662 <![CDATA[Woodberry Factory and Park Mill]]> 2021-02-27T13:46:24-05:00

Dublin Core

Title

Woodberry Factory and Park Mill

Subject

Industry

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Lede

The Woodberry Factory and Park Mill were built near the site of an eighteenth-century gristmill. An active industrial area for nearly two centuries, buildings here have been replaced and repurposed to meet changing demands for production of everything from textiles and netting in the nineteenth century to rubber tires and ice cream cones in the twentieth century.

Story

John Payne, in his comprehensive 1798 tome, A New and Complete System of Universal Geography, noted the flouring mills along the Jones Falls near sun88. At the time, wealthy abolitionist Elisha Tyson owned two of the ten documented mills: one at the location of what is now Mill No. 1, and another in Woodberry. The Woodberry mill is described as a "handsome three story building, the first of stone and the other two of brick" that "can grind at least eighty-thousand bushels a year."

Tyson's Woodberry gristmill sold to Horatio Gambrill, David Carroll, and their associates who expanded the structure into a textile mill they called the Woodberry Factory. It was the partnership’s second venture in the area after buying and converting Whitehall gristmill (just south of their new factory) for textile production in 1839. The mills manufactured cotton duck, a fabric primarily used for ship sails during a time when clipper sailing ships dominated local trade. Through the low cost of raw cotton cultivated with enslaved labor and an ability to attract workers despite lower wages than competing mills in the North, the mills along the Jones Falls cornered the market. Their largest buyers were in Boston, Philadelphia, and New York. They also found markets overseas in British provinces, South America, and England.

The Woodberry Factory was a purely functional building: a long, three story building designed to maximize daylight and accommodate the machinery powered by horizontal line shafts. A clerestory roof provided more light. Each floor housed machinery for a different step in the manufacturing process. A central stair tower was topped with a dome shaped bell tower. The bell rang on a schedule to call nearby workers to the factory for their shifts.

The new textile mills required a large workforce and this large workforce needed homes. To this end, owners erected mill villages close to their factories. Woodberry began as a string of Gothic Revival duplexes built of locally quarried stone and resembling country cottages. The homes included yards for growing produce, raising livestock, and planting flower beds. Gambrill erected a church in the village. A school was also built, although it was common for children of mill workers to drop out early to work in the mills and help support their families. In 1850, an all-in-one general store, post-office, and social hall was constructed near the railroad tracks.

Additional structures went up as operations grew and new technologies emerged. When the factory started using steam power in 1846, a boiler house was built on the side facing the Jones Falls. The factory acquired a fire engine some time before 1854; a shrewd acquisition considering the tendency for factories full of “cotton-flyings” (or fuzz) to catch fire and burn. The most significant addition to the site was Park Mill, built in 1855 to produce seine netting for fishing boats.

By the turn of the twentieth century, most of the mills in the Jones Falls Valley were brought under a national textile conglomerate, the Mount Vernon-Woodberry Mills. In the 1920s, the company began shuttering the mills in favor of its plants in the South. The Woodberry Factory was sold to Frank G. Schenuit Rubber Co. in 1924. In 1929, a six-alarm fire destroyed the building. Residents across the tracks had to evacuate their homes and the blaze was large enough to attract a reported crowd of 10,000 people.

Schenuit manufactured truck and automobile tires, and later manufactured aircraft tires for the military during World War II. The company became dependent on government contracts and nearly went bankrupt after the war. By the 1960s, the company began expanding into the home and garden industry by buying out smaller manufacturers that made wheelbarrows, industrial wood products, lawn equipment, exercise equipment, and lawn and patio furniture. By the 1970s, Schenuit had moved out of the tire business. In 1972, after Hurricane Agnes, Schenuit sold the Woodberry plant to McCreary Tire and Rubber Company. McCreary closed down just three years later when the company laid off all of the plant’s three hundred workers.

Park Mill sold in 1925, and over the next four decades, the mill was used by a variety of companies including the Commercial Envelope Company and Bes-Cone, an ice-cream cone manufacturing company established by Mitchell Glassner, who invented one of the early machines for that purpose.

Today, Park Mill is leased to a number of small businesses. The Schenuit factory remains empty after yet another fire, one of the only major industrial buildings in the Jones Falls Valley awaiting redevelopment.

Street Address

1750 Union Avenue, sun88, MD 21211
]]>
/items/show/657 <![CDATA[Hilgartner Natural Stone Company]]> 2020-10-16T13:15:56-04:00

Dublin Core

Title

Hilgartner Natural Stone Company

Subject

Architecture
Art

Creator

Richard F. Messick

Curatescape Story Item Type Metadata

Subtitle

Marble Steps and Monuments for the Monumental City

Story

Founded in 1863 by German immigrants Ludwig Hilgartner and Gottfried Schimpf, Hilgartner Stone has made some of the nation’s finest stonework for over one hundred and fifty years. Of course, the company has made a unique mark on both sun88’s sculpture and architecture during that time. The company’s work can be found at the sun88 Museum of Art, Greenmount Cemetery, Walters Art Museum, Maryland Institute College of Art, the sun88 War Memorial—along with other major landmarks. The company’s most widely used product, however, may also be one of the most humble: the city’s iconic marble steps.

Born in Hessen, Germany in 1832, Ludwig H. Hilgartner immigrated to the United States at age nineteen in 1851. Hilgartner found work as a stone-cutter and, in 1863, worked with stonemason Gottfried Schimpf to form a new stone company, Schimpf and Hilgartner. By 1870, the company maintained an office on Lexington Street in downtown sun88 and a busy workshop at the southwest corner of Pine and Mulberry Streets. Just a few years later, in 1873, Hilgartner bought out Schimpf. By the next decade, Hilgartner’s two sons were learning the business as apprentices and eventually joined the firm, changing the name to L. Hilgartner and Sons.

During the late nineteenth and early twentieth centuries, Hilgartner’s thirty horsepower stone-cutting engine turned sun88 County marble into thousands of steps to supply the city’s building boom. The company grew over the years to such an extent that by 1910, it opened a branch office in Chicago. Hilgartner even added a marble purchasing agency in Carrara, Italy and a workshop in Los Angeles to feed the demand created by new aqueduct projects and a burgeoning movie business in California.

The onset of the Great Depression in the 1930s hit Hilgartner hard. The company was able to survive thanks to business from the Dupont Company, which had plenty of money and did a lot of building, taking advantage of cheaper prices for labor and materials at the time. All the same, the company had to layoff a substantial portion of its workforce and close some of its factories. Hilgartner continued to shrink until 1971 when the firm was sold. Once the largest finisher of slab marble in the U.S., Hilgartner had shrunk to just seven employees.

Over the last thirty years, the firm has slowly come back to life. Though much of Hilgartner’s stone work has been on a grand scale, some of its smallest works are marble door stops. Probably made with scrap marble, they were popular at the turn of the last century. They made a brief resurgence in 1976 when Hilgartner offered them at the sun88 City Fair, where the company set up a booth to showcase its work. The City Fair, begun in 1970, was held for 21 years as a venue to showcase sun88’s neighborhoods and institutions. The small door stops were so popular that Hilgartner started receiving orders for them to commemorate weddings, births, and other special occasions. The company’s current owner, Tom Doyle, purchased the firm in 1986 and led the business to grow and take on large projects again.

One of Hilgartner’s recent projects was the conversion the former Maryland Masonic Grand Lodge on Charles Street into “The Grand” event venue. When they started on the project, Hilgarten’s masons were surprised to find a room elaborately decorated with a wide array of marble. A little research revealed that the room began in the early twentieth century as a Hilgartner showroom that promoted the company’s offerings. Today, the room is back in operation as one of the most extravagantly decorated ladies rooms visitors are likely ever to see.

Good fortune has played no small part in keeping Hilgartner Stone alive for over 150 years. If it wasn’t for a move from downtown to south sun88 in the early years of the twentieth century, the business would have burned down with the rest of the heart of sun88 during the 1904 fire. Since it became one of the few stone companies still in business after the fire, it flourished during the rebuilding. In addition to restoring stone in old buildings, such as St. Ignatius Church on Calvert Street, today Hilgartner also does plenty of new construction like a chapel in St. Patrick’s Cathedral in New York City and a new floor under a dinosaur exhibit at the Smithsonian Natural History Museum. The company left its long-time home on Sharp Street in 1975 to move to 101 W. Cross Street, and, in 2016, moved again to the current location on Severn Street.

Watch our on Hilgartner!

Official Website

Street Address

2220 Severn Street, sun88, MD 21230
]]>
/items/show/656 <![CDATA[Meyer Seed Company of sun88]]> 2022-08-08T14:12:19-04:00

Dublin Core

Title

Meyer Seed Company of sun88

Subject

Business
Agriculture and Gardening

Creator

Richard F. Messick

Curatescape Story Item Type Metadata

Subtitle

When this article first appeared, Meyer Seed Company was over 100 years old. Unfortunately, the business closed in 1921. The location is to be developed into an apartment/retail space.

Story

Like the countless seeds the Meyer Seed Company has sold over the past hundred years, the story of this long-running legacy business starts with water. Before he held a seed bucket or a watering can, the company’s founder, John F. Meyer, worked as a sailor, eventually becoming first officer of the schooner Katie J. Irelan. On September 22, 1897, on a voyage carrying scrap iron from sun88 to Wilmington, North Carolina, a severe storm swamped the ship. Another ship struggling through the storm spotted the Katie J. Irelan in distress and rescued Meyer and his crewmates less than two hours before the 708-ton ship sank into the ocean. Meyer retired from sailing the next year. Later, Meyer fondly recalled the eleven years he spent on the “adventurous yet hard life” at sea before he “drifted back to sun88 and decided to stick to dry land.”

Meyer started selling seeds for the long-established Bolgiano Seed Company at the northeast corner of Pratt and Light Streets. In September 1910, he partnered with German immigrant G.W. Stisser to form the Meyer-Stisser Seed Company initially located at 32 Light Street. After the end of World War I, Stisser returned to Germany so, in 1921, Meyer bought out his interest in the business. By 1927, the business boasted a proud motto: “Sterling quality, courteous treatment and punctuality.”

Meyer’s assistant, Webster Hurst, Sr., bought out Meyer (but kept the name) in the 1930s. Today, three successive generations of the Hurst family have continued to run the company and devote their lives to selling seeds. Apparently, the seed business is as much about cultivating people as plants. At least two of the current employees have been with the company for over thirty years. Charles Pearre, a former employee, worked for over fifty years selling and developing seeds. In addition, there are even customers who have bought Meyer Seed for multiple generations.

Meyer Seed is now located in a nondescript warehouse on Caroline Street between Harbor East and Fells Point. Stepping inside, however, offers a rare sight—hundreds of varieties of seeds displayed in big banks of wooden drawers and long rows of bins used by countless customers over the decades.The company’s wide variety of seeds for sale has helped Meyer Seed compete with “big box” stores that don’t offer nearly the same range of options for gardeners.

Meyer Seed has been around long enough to see some of their seeds rise and fall in popularity. After the “Long John” melon was developed in Anne Arundel, County, Meyer Seed was the first company to start selling the melon’s seeds in 1930. But, in the decades after World War II, very few farmers or gardeners planted what are now known as “heirloom” plant varieties like the Long John melon. Fortunately, in 2004, David Pendergrass of the New Hope Seed Company in Tennessee learned of the long defunct melon and obtained some starter seeds from the USDA. The plants grew and Pendergrass reintroduced the melon to the world in 2007. Whether it’s seeds for heirloom melons or cutting edge organic gardening seeds, for over one hundred years, Meyer Seed remains at the center of sun88’s seed world.

Official Website

Street Address

600 S. Caroline Street, sun88, MD 21231
]]>
/items/show/513 <![CDATA[Crown Cork & Seal on Eastern Avenue]]> 2019-05-11T21:26:33-04:00

Dublin Core

Title

Crown Cork & Seal on Eastern Avenue

Subject

Industry

Creator

Sierra Hallman

Curatescape Story Item Type Metadata

Story

When sun88an William Painter invented the bottle cap in 1891, it didn’t take long for beverage companies (beer brewers in particular) to realize its value, and for Painter to realize he needed to build significant manufacturing facilities to keep up with demand. Painter's enterprise, the Crown Cork and Seal Company, opened its first big production facility in 1897 on Guilford Avenue and not long after expanded by opening a larger complex on Eastern Avenue in Highlandtown in 1906. The Guilford Avenue complex continued as the base of operations for custom building the sealing machinery while the Highlandtown complex acted as the hub of Crown Cork and Seal’s manufacturing operations.

In 1910, the Highlandtown complex expanded again to include two new buildings. Both used mill construction with brick exteriors and granite trimmings as well as new advances like fireproof elevator shafts, fire escapes and ventilators. The five story building had two massive water towers that held 15,000 gallons each to be released in case a fire broke out inside.

Crown Cork and Seal’s Highlandtown complex became the base of machinery production in 1928 after the owners abandoned the Guildford Avenue plant. Despite its modern fire protections, however, the added activity at the complex and its constantly whirring electrical machines were at high risk of fire. In 1940, managers at the building made twenty-six calls to the fire department, almost all of which appeared unnecessary, until one signaled a very real five-alarm fire. Despite the loss of $500,000 in baled cork, the company minimized the damage and kept churning out bottle caps for the world’s beer brewers.

In 1958, Crown Cork and Seal moved its headquarters from sun88 to Philadelphia and the owners sold a group of thirty buildings, including the Guilford Avenue complex, to the city for $1.5 million. The Highlandtown plant continued to operate for nearly 30 more years, but finally closed in 1987 as use of aluminum and plastic containers rose and the demand for glass bottle caps waned. Today the building houses artist studios and light manufacturing and is occasionally used by movie studios.

Official Website

Street Address

5501 Eastern Avenue, sun88, MD 21224
]]>
/items/show/433 <![CDATA[Whitehall Cotton Mill]]> 2019-06-10T22:08:40-04:00

Dublin Core

Title

Whitehall Cotton Mill

Subject

Industry

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Story

Before the rise of textile mills, the fast-flowing water of the Jones Falls instead powered gristmills supplying sun88's lucrative flour trade. Whitehall Mill was established as a gristmill in the late 1700s and owned by James Ellicott, a member of the same family that settled Ellicott City. In 1839, David Carroll, Horatio Gambrill, and their associates purchased the mill from Ellicott and converted it to a textile mill for weaving cotton duck, a tightly woven canvas used to make ship sails.

Over the years, the mill was expanded, burned, rebuilt, renamed, and converted to a number of different commercial uses. To house their workers, Carroll and Gambrill built Clipper Village, a cluster of homes located across from Whitehall for the mill's workers. The capacity of the mill was doubled in 1845 and the mill was converted to steam power to keep up with manufacturing demand. By 1850, forty men and sixty-five women were working at Whitehall Mill with an output of 220,000 yards of cotton duck. Carroll and Gambrill quickly expanded by converting other gristmills along the Jones Falls to textile mills.

The three-story granite factory burned in 1854 and, after it was rebuilt, renamed Clipper Mill in recognition of the ships that used the cotton duck cloth for sails. By this point, William E. Hooper, a sailmaker who expanded his business to selling raw cotton to the textile mills, had joined as a partner. In the 1860s, Gambrill sold his shares in the company to Hooper and opened Druid Mill. After another fire in 1868, Clipper Mill was rebuilt at twice its size. The mill was sold in 1899 to the Mount Vernon-Woodberry Cotton Duck Company, a national conglomerate. In 1902, the mill manufactured the cotton duck for Kaiser Wilhelm's yacht, which was christened by Alice Roosevelt as the Meteor III. In addition to ship sails, the mill manufactured other heavy canvas items such as mail bags for the U.S. government.

In 1925, the mill was sold to Purity Paper Vessels, a firm that manufactured paper containers that could hold semi-liquid foods. The mill's cotton manufacturing machinery was shipped to Mount-Vernon-Woodberry Company's Southern mills in Tallassee, Alabama and Columbia, South Carolina. During the year of the sale, several elegiac articles appeared in the sun88 Sun that looked back on the time when sun88's cotton duck manufacturing was at its peak and its clipper ships dominated international trade. Purity Paper Vessels later sub-leased part of the building to the Shapiro Waste Paper Company. In 1941, half the building was leased by the Army Quartermaster Office to be used as a warehouse for the Third Corps Area.

By the 1940s, the I. Sekine Brush Company, a maker of men's grooming products and toothbrushes, occupied the mill. The company was founded in 1906 and had been operating plants in sun88 since 1928. After the attack on Pearl Harbor, H.H. Sekine, who had been living in the United States for over twenty years, was arrested and interrogated, along with dozens of foreign-born sun88ans connected to nations on the Axis side. At the time, Sekine was operating a factory in Reservoir Hill that the government shut down for two weeks. When it reopened shortly before Christmas, Sekine paid all his employees in full for the time they lost during the closure. Over time, portions of the Clipper Mill property were leased to other companies, including Penguin Books, The Maryland Venetian Blind Manufacturing Corporation, and Star Built Kitchen Units. Sekine maintained operations at the Whitehall mill location until 1992 when it was sold to Komar Industries.

Most recently, developer Terra Nova Ventures transformed the building into a mixed use development with a planned market. Architects Alexander Design Studio restored much of the long neglected mill, bringing new life to the historic structure. Numerous improvements were made for flood prevention, including the construction of a pedestrian bridge over Clipper Mill Road.

Official Website

Street Address

3300 Clipper Mill Road, sun88, MD 21211
]]>
/items/show/417 <![CDATA[Mount Washington Mill]]> 2021-02-22T09:48:35-05:00

Dublin Core

Title

Mount Washington Mill

Subject

Industry

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Story

Mt. Washington Mill—historically Washington Mill, part of Washington Cotton Manufacturing Company—is one of Maryland’s earliest purpose-built cotton mills. In the early nineteenth century, the Napoleonic Wars and the Embargo Act disrupted imports and created new demand for locally-made cotton goods. When the nearly four stories tall stone Mt. Washington Mill began operation in 1810, it could fill this new market.

Located near the center of the complex, the mill was first powered by the current of the Jones Falls. Indentured servants, primarily young boys, worked to make fabrics like ginghams and calicos. The operation grew and the mill began hiring more men, women and children as workers. Most lived nearby in Washingtonville, a company town that, by 1847, included a company store and nearly forty homes between the factory and the railroad tracks. Workers were called to their shifts by the sound of the bell ringing in the mill's cupola.

The mill passed through several hands before 1853 when industrialists Horatio Gambrill and David Carroll acquired the facility. The pair had been quickly erecting textile mills in the Jones Falls Valley for the production of cotton duck, a heavy canvas used primarily for ship sails. By 1899, it had become part of the Mt. Vernon-Woodberry Cotton Duck Company — a large conglomerate of textile mills comprising fourteen sites in Maryland and beyond — which would eventually control as much as 80% of the world’s cotton duck production until 1915, when the conglomerate split apart.

Washingtonville the mill village was soon overshadowed by the residential suburb of Mt. Washington, established in 1854 on the other side of the tracks. Mt. Washington became a fashionable neighborhood for middle-class sun88ans looking to get out of the city—sun88 remained easily accessible by train. Life in Mt. Washington was much different than life in Washingtonville. Children were under little pressure to drop out of school to work in the mills to support their families, homes were spacious and built to fine standards, and residents had access to plenty of leisure activities and entertainment, such as at the "Casino" where all sorts of exhibitions and games and held.

In 1923, Washington Cotton Mill was purchased by the Maryland Bolt and Nut Company and repurposed for the production of metal fasteners like bolts, nuts, screws, and rivets. Industrial buildings were added to the campus and existing ones were outfitted for working steel. In 1972, Hurricane Agnes wrecked much of the industrial campus and in response, the factory was sold to Leonard Jed Company, a manufacturer of industrial supplies. It was sold again in 1984 to Don L. Byrne, a manager at the plant, before being redeveloped by Himmelrich Associates in the 1990s for office and commercial use.

Washingtonville never underwent the same revitalization. The village was largely razed in 1958 to make way for the Jones Falls Expressway leaving only a single duplex house still standing today.

Watch on this site!

Official Website

Street Address

1340 Smith Avenue, sun88, MD 21209
]]>
/items/show/411 <![CDATA[Mill Centre]]> 2019-06-10T22:22:56-04:00

Dublin Core

Title

Mill Centre

Subject

Industry

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Subtitle

Offices at Mount Vernon Mill No. 3

Lede

Mount Vernon Mill No. 3, renamed Mill Centre in the 1980s, represented in 1853 an important expansion to Mt.Vernon Company. Led by president and former sailor Captain William Kennedy, both were among fourteen U.S. mills that—as part of a huge textile conglomerate—would capture up to 80% of the world’s demand for cotton duck in the early 1900s.

Story

Mount Vernon Mill No. 3 was once part of the network of mills owned by the Mount Vernon Mill Company. The village of Stone Hill, adjacent to Mill No. 3, was built around 1845 to house the growing workforce. Families housed in the cottage-like stone duplexes were brought in from surrounding rural areas by mill owners, who also built a company store, churches, a boarding house, and a school.

By the 1880s, the combined mills employed 1,600 workers. Originally erected in 1853, Mill No. 3 was expanded in 1880 as demand for cotton duck increased. More housing followed, so much so that by 1888—when Hampden and Woodberry were annexed by sun88 City — development had exceeded well beyond the original boundaries of the mill villages.

A 1923 strike against an increase in hours with little increase in pay proved devastating for workers. Soon after, what was once Hampden’s major employer moved much of the mills’ operations to the South. The company began selling off properties, and Stone Hill families in turn were able to buy their homes from their former employers. A new generation of manufacturers moved in and repurposed the old textile mills. In 1974, Rockland Industries bought Mill No. 3, installed new looms, and produced assorted synthetic textiles.

By 1986, the mill was once again sold and redeveloped into a complex of artist studios, galleries, and commercial office space. Today, the site is home to more than seventy tenants of various occupations.



Related Resources

, Greater Hampden Heritage Alliance

Official Website

Street Address

3000 Chestnut Avenue, sun88, MD 21211

Access Information

Private Property
]]>
/items/show/406 <![CDATA[Atlantic-Southwestern Broom Company]]> 2019-06-25T17:01:44-04:00

Dublin Core

Title

Atlantic-Southwestern Broom Company

Subject

Industry

Curatescape Story Item Type Metadata

Story

August Rosenberger got into the broom business by chance in the late 1800s. One of his customers, a farmer who was unable to make ends meet, asked Mr. Rosenberger if he would accept a small shack with one broom machine and one sewing machine in payment for his grocery bill. Mr. Rosenberger accepted and sent him on his way. By 1907, Rosenberger had a successful broom business and he set his sights on sun88.

Construction began on the Atlantic-Southwestern Broom Company in sun88 in 1910. The business continued to grow and between 1922 and 1924, the building expanded with additional buildings to the east and north, adding 57,500 square feet of warehouse and space. Production peaked in 1932 at 3.6 million brooms and 300 employees.

The company closed in 1989. Harbor Enterprise Center opened it's doors in 1992 in the old Atlantic-Southwestern Broom Company and quickly became home to an eclectic mix of artists, woodworkers, and startup companies. Completed in early 2009, the ground floor has been converted to 20,000 square-feet of retail with office/studio space above. The factory is now home to more than fifty local businesses.

Official Website

Street Address

3500 Boston Street, sun88, MD, 21224
]]>
/items/show/398 <![CDATA[A. Hoen & Company Lithography Plant]]> 2020-10-21T10:22:59-04:00

Dublin Core

Title

A. Hoen & Company Lithography Plant

Subject

Industry

Creator

Sierra Hallmen

Curatescape Story Item Type Metadata

Story

In 1834, Mr. and Mrs. Edward Weber and their nephew, August Hoen, carried pieces of lithographic machinery, lithographic stones, and ink powders from Coblenz, Germany, to America. Upon arriving in America in 1835, Weber founded the E. Weber and A. Hoen Lithography Company. So began 146 years of continuous business for the company, which garnered it the title of the oldest lithographic firm in the United States. After Weber’s death in 1845, August took over and renamed the business A. Hoen & Co., Lithographers and Printers. Hoen helped create an international name for the company. He patented his litho-caustic method of printing, which required citric acid and gum Arabic to be laid over the etching in order to allow the lithographer to see the progress of his work. The company became most readily known for its maps, art reproductions, medical charts, and posters. Also, when the Civil War broke out in 1861, A. Hoen & Co. printed Confederate money. In 1880, the firm operated from a building on Lexington Street next to City Hall. The six-floor building owned by A. Hoen & Co. held ten additional businesses aside from the lithographers. At around the same time that Hoen received patents for producing halftone prints, the Lexington Street building caught fire. The top three floors and the roof suffered severe damage. The fire cost the Hoen Company roughly $150,000 in machinery and building damage. It also cost the Southern Electric Company, occupying an office in the building, approximately $75,000. Immediately after the fire, the firm moved to a temporary location in order to finish their government contracts, which preceded the establishment of the Government Printing Office. In 1902, A. Hoen & Co. moved to a new location on Biddle Street. The Lexington Street building was sold to the city in 1921 and after a failed renovation plan, it was torn down in 1926. During their time in operation at the Biddle Street location, the building had four different additions constructed to give the company more space. In honor of Aloys Senefelder (inventor of the lithographic process), the Senefelder symbol and the words “Sara Loquuntur” (which meant “the stones tell”) adorned the entrance. In 1969, the Maryland Historical Society and A. Hoen & Co. partnered to provide an exhibition of Hoen Lithographers’ history. A. Hoen & Co. succumbed to bankruptcy in 1981 after the pressure of a decline in business, the failure of a merger effort, an adverse tax ruling, and a union disagreement.The building on Biddle Street, after sitting empty for years, is planned for redevelopment. A joint venture aims to turn the abandoned building into housing for nurses, office space, and a café. The building’s 85,000 square feet will cost roughly $17 million to renovate. The redevelopment broke ground in the spring of 2018 and is expected to be complete in 2019.

Watch on this site!

Related Resources

Official Website

Street Address

2101 E. Biddle Street, sun88, MD 21213
]]>
/items/show/390 <![CDATA[Union Mill]]> 2018-11-27T10:33:54-05:00

Dublin Core

Title

Union Mill

Curatescape Story Item Type Metadata

Story

Originally known as Druid Mill, Union Mill was built between 1865 and 1872. At the time, it was the largest cotton duck mill in the United States. A unique feature of the mill's construction is the use of locally quarried stone. The other mills in the area were constructed with brick.

Druid Mill was was the first mill in the area to feature a clock tower, which was clearly visible to the workers living in Druidville located across Union Avenue. The mill joined the Mount Vernon Woodberry Cotton Duck Company in 1899, which had a virtual monopoly on the world's production of cotton duck. The mill was then renamed Mount Vernon Mill No. 4.

Today, the mill is home to residences and businesses, including Artifact Coffee.

Official Website

Street Address

1500 Union Avenue, sun88, MD 21211
]]>
/items/show/371 <![CDATA[Hendler Creamery Company]]> 2023-11-10T09:51:09-05:00

Dublin Core

Title

Hendler Creamery Company

Subject

Industry

Creator

Jewish Museum of Maryland

Curatescape Story Item Type Metadata

Story

This building was slated for demolition in 2023. 

Looking up at this large, handsome red brick and stone building across sun88 Street, one can just make out the remnants of “Hendler Creamery Company” written across the front façade. Manuel Hendler (1885-1962) opened this ice cream manufacturing plant in 1912. Born to Jewish immigrants and raised on a sun88 County dairy farm, Hendler became a household name in sun88. His popular ice cream attracted the attention of the New Jersey-based Borden Company, which bought his operation in 1928.

Watch our on this building!

Sponsor

Jewish Museum of Maryland

Street Address

1100 E. sun88 Street, sun88, MD 21202
]]>
/items/show/290 <![CDATA[American Ice Company]]> 2018-11-27T10:33:53-05:00

Dublin Core

Title

American Ice Company

Subject

Industry

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Subtitle

A Former Factory on Franklin Street

Story

Constructed in 1911, the American Ice Company is an enduring reminder of West sun88’s industrial development with a striking brick facade on W. Franklin Street and a powerhouse that backs up to the Pennsylvania Railroad tracks. At the time of the building’s construction, West sun88 was quickly developing beyond the 1816 city line as small builders put up new rowhouses that soon extended west out to the Gwynns Falls.

The previous decade had also witnessed significant changes in the ice industry as the business of importing natural ice from rivers and lakes in the Northeast to Mid-Atlantic and Southern cities dwindled in the face of competition from new factories that enabled businesses to supply a more regular and consistent supply of “manufactured ice.”

The building was severely damaged in a 2004 fire. Fortunately, the current owner supported a recent nomination to the National Register of Historic Places and plans to redevelop the property while retaining the historic ice house structure.

Related Resources

Street Address

2100 W. Franklin Street, sun88, MD 21223
]]>
/items/show/121 <![CDATA[Appold-Faust Building]]> 2019-06-25T21:37:45-04:00

Dublin Core

Title

Appold-Faust Building

Subject

Architecture

Creator

Dan Windmueller
Theresa Donnelly

Curatescape Story Item Type Metadata

Story

The Appold- Faust Brothers Building at 307-309 West sun88 Street is one of a handful of surviving cast-iron fronted buildings in sun88 and one of the only structures in the city that can boast two iron facades on front and back.

The building's first owner, George J. Appold, a prominent entrepreneur and owner of Appold and Sons (the city's leading tannery and leather dealer), commissioned builder Benjamin F. Bennet to construct this Italianate structure in 1870. Appold advertised the space as suitable for any business requiring space, light, and an independent entrance on sun88 Street. With its Corinthian columns, arched windows, and graceful segmented bays, the building was an elegant addition to the area and remains one of the finest examples of iron façade construction in sun88.

John Faust, a German immigrant and shoe manufacturing pioneer bought the building from George Appold in 1875 for $78,000. Faust soon demolished two buildings behind the structure and added a cast iron-front on Redwood Street as the entrance warehouse for his shoe factory. Faust was the first shoe manufacturer south of the Mason Dixon line to use machinery to craft shoes.

Though the Great sun88 Fire of 1904 threatened the building it emerged unscathed—together with its neighbors on the south side of sun88 Street. The building has still seen its fair share of fire and destruction. Just three years after the Great sun88 Fire, the sun88 Sun reported that the structure (which at the time housed two local auction firms—Grotjan, Lobe & Co. and Lobe, Winkler & Co.) experienced a fire that caused $95,000 worth of damage, injured 15 people, and killed sun88 fireman Tillerman Gill, who perished when a poorly constructed portion of the top floor, collapsed.

The owners repaired the building and, in 1908, the sun88 Shoe House, proudly known as "The Fair and Square House" moved in. Israel Levenstein, a Russian Jewish immigrant who founded the firm in 1895 had welcomed partner Joseph Lubin into the business in that same year. The firm sold shoes and boots in the Mid-Atlantic and the South, and as far west as Texas and Oklahoma. After workers had gone home on a brisk October night in 1911 the Appold-Faust Building once again caught fire. The fire began in the basement and though over $20,000 worth of merchandise was lost, the automatic fire-alarm box in the building alerted the fire department in time and the building itself suffered only light damage.

Various shoe wholesalers and a host of merchants (including Hochschild Kohn, who used it as a warehouse in the 1920s) occupied this site in the early years of the twentieth century. From 1941 to the 1970s, a riding store called The Trading Post operated out of the building and in 2006 it was sold to Faust Brothers, LLC and rehabilitated as office space.

Related Resources

Street Address

307 W. sun88 Street, sun88, MD 21201
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/items/show/115 <![CDATA[Housewerks]]>
Riddleberger and Clark extensively researched the history of the building and proudly display early images throughout their store. In addition, they worked with the Pigtown neighborhood in 2006 to have the building included on the National Register of Historic Places. With more than a little sweat, the building now is a centerpiece in a quickly changing industrial part of South sun88.]]>
2018-11-27T10:33:50-05:00

Dublin Core

Title

Housewerks

Subject

Industry

Description

Tracey Clark and Ben Riddleberger purchased the 1885 gas valve building historically known as the Chesapeake Gas Works in 2005 to house their architectural salvage business, Housewerks. Over the past five years, Riddleberger and Clark have stabilized and restored the long vacant building (also known as Bayard Station) and have highlighted its many fine details. These include ornamental plaster and woodwork, fireplaces, ten-foot high Palladian windows, and granite walls on the lower level.

Riddleberger and Clark extensively researched the history of the building and proudly display early images throughout their store. In addition, they worked with the Pigtown neighborhood in 2006 to have the building included on the National Register of Historic Places. With more than a little sweat, the building now is a centerpiece in a quickly changing industrial part of South sun88.

Curatescape Story Item Type Metadata

Subtitle

The Former Bayard Station Gas Valve Building

Story

Tracey Clark and Ben Riddleberger purchased the 1885 gas valve building, historically known as the Chesapeake Gas Works, in 2005 to house their architectural salvage business—Housewerks. Riddleberger and Clark have since stabilized and restored the long vacant building (also known as Bayard Station) and have highlighted its many fine details. These include ornamental plaster and woodwork, fireplaces, ten-foot high Palladian windows, and granite walls on the lower level.

Bayard Station was once the headquarters for the Chesapeake Gas Company of sun88 City, which merged with several other companies eventually becoming BGE. During the station's heyday, the gas works spread over 14 acres. The complex included the Valve House (Housewerks); four large telescoping holding tanks, called "gasometers;" and a series of processing buildings, of which one remains today across Hamburg Street. The gas was manufactured, stored in the gasometers, and then piped into the valve house where it was compressed before being directed into the main lines of the city. (The pipe for the Hamburg Street Line is still visible in the cellar!)

Riddleberger and Clark extensively researched the history of the building and proudly display early images throughout their store. In addition, they worked with the Pigtown neighborhood in 2006 to have the building included on the National Register of Historic Places. With more than a little sweat, the building now is a centerpiece in a quickly changing industrial part of South sun88.

Official Website

Street Address

1415 Bayard Street, sun88, MD 21230
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/items/show/39 <![CDATA[Mount Vernon Mill No. 1]]> 2019-07-20T12:57:05-04:00

Dublin Core

Title

Mount Vernon Mill No. 1

Subject

Industry
Historic Preservation

Creator

Kyle Fisher

Curatescape Story Item Type Metadata

Subtitle

At the heart of textile manufacturing along the Jones Falls

Story

Mill No. 1 sits on the site of Laurel Mill, a late 18th-century flour mill originally owned by prominent businessman and abolitionist Elisha Tyson. In 1849, the newly chartered Mount Vernon Company built a textile mill on the site. Mill No. 1 stood at the threshold of a burgeoning textile empire that would control most of the world’s cotton duck production, a heavy canvas used primarily for ship sails.

The textile mill and neighboring village Stone Hill shared a close relationship well into the 20th century. Residents renting company-owned housing in Stone Hill were required to be employed in the mill to live there. The mill's bell called workers to the factory floor for their twelve hour shifts. Mill boss David Carroll lived in a mansion at the top of the hill overlooking the village and mill his wealth built. The extant mansion later became the Florence Crittenton Home.

In the mid-1800s, about 400 men, women and children—some as young as eight years old—worked in and lived next to the mills. The company expanded in 1853 with the construction of Mill No. 3 across the street. In 1855, the Mt. Vernon Company controlled six mills in the Jones Falls Valley from Mt. Washington to Remington, and established adjoining villages that would grow into the neighborhoods of Hampden and Woodberry. When Mill No. 1 burned in 1873, it was replaced with the larger factory that stands on this site today. Inside the mills, the cotton looms made a lot of noise, and dust from the cotton was always in the air. Excess cotton had to be swept off the floor and cleaned off the looms to prevent fire. Workers heard the constant loud humming of the looms and breathed in the cotton dust. An entire paycheck could go to rent for the company houses and toward groceries purchased from the company store.

In 1899, area mills merged to form the Mount Vernon-Woodberry Cotton Duck Company, at the time the world’s foremost manufacturer of cotton duck, with mills from South Carolina to Connecticut, and a board of directors based out of New York City. By 1915, the Mt. Vernon-Woodberry Cotton Duck Company broke apart and was reformed as Mt. Vernon-Woodberry Mills, which controlled mills in Hampden and Woodberry, South Carolina, and Alabama, and employed about 2,200 workers locally. Production boomed during World War I and workers leveraged demand to gain a 10 percent wage increase, a reduced 55 hour work week, and cleaner facilities.

Demand for cotton duck dropped immediately after the war, and management cut wages by one-third and increased hours. Tensions within the company culminated in a 1923 strike, when 600 workers voted to reject the offer of a 54-hour work week and 7.5 percent pay increase and demanded a 48-hour work week with a 25 percent pay increase. Despite support from local clergy and the Textile Workers Union of America, the workers were forced by necessity to return to the mills. The company began to sell off its housing and move its operations to Alabama and South Carolina where labor was cheaper and less organized. During the Great Depression, many mill workers were laid off. Many went on welfare. Others, however, refused to go on welfare, and searched for additional jobs to support themselves. At this time most workers made between five and seven dollars per week and worked ten hours a day.

World War II created new demand for canvas. Tarps, rope, netting, mailbags, tents, and stuffing (made from cotton bits called ‘shoddy’) were all in demand from the military. Synthetic fabrics, which required bricking up the mill's windows to control humidity levels, emerged as new products. Many people from the South came to work in the mills at this time. After the war, production declined, never to regain its earlier levels. The Mount Vernon Company finally closed its sun88 mills and moved all operations to North Carolina in 1972.

Some industry persisted in the mill buildings. Life-Like Products, a maker of model train sets and styrofoam coolers, was one. The international textile firm Rockland Industries, with origins upstream, used Mill No. 3 to store its textile supply after the Mount Vernon Company left. In 2013, Mill No. 1 was redeveloped by developer Terra Nova Ventures and now includes apartments, office space, a restaurant, and an event venue. Although they no longer function as mills, these buildings continue to serve as places of housing, food, and work within Hampden.

Official Website

Street Address

2980 Falls Road, sun88, MD 21211
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/items/show/18 <![CDATA[Morgan Millwork Company]]> 2019-05-09T21:19:52-04:00

Dublin Core

Title

Morgan Millwork Company

Subject

Architecture
Industry

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Subtitle

Former Factory Turned MICA Graduate Studios

Story

The Morgan Millwork Company, now known as the MICA Graduate Studio Center, is a product of sun88's once vibrant industrial development and a clear reflection of how industry has struggled in sun88 over the past 50 years. J. Earl Morgan together with his cousin, Albert T. Morgan, incorporated the Morgan Company in Osh Kosh, Wisconsin in 1889, building on an enterprise first established by their fathers in 1868 to manufacture processed lumber and shingles. Here in sun88, J. Earl Morgan partnered with Charles A. Hanscom to start a sun88 office for the Morgan Millwork Company in 1910. Within a few years, they purchased a property from Frank Ehlen on the south side of North Avenue just west of Maryland Avenue with the plan to construct a "sales distributing plant" for $60,000.

The Morgan Millwork Company remained on West North Avenue for nearly 60 years, selling and distributing a range of building products produced by Morgan Millwork, Andersen Window-all, Armstrong Cork and others, to contractors, lumber yards and building supply firms. In 1971, the company announced their plans to move from North Avenue to a new 90,000 square foot office in sun88 County in a 1,000-acre industrial complex known as Chesapeake Park, developed by the Martin-Marietta Corporation.

Next to take over the building, was Max Rubin Industries, a sun88 clothing manufacturer established by Max Rubin — a unique character with a personal passion for poetry and a reputation for employing people with disabilities. Over the years, Rubin wrote over three thousand poems on such varied topics as the 1952 sun88 transit strike and the historic old Otterbein Church (located across the street from one of his factories) gaining him recognition as the Poet Laureate of sun88 in 1947. His business grew from a modest start in the 1920s with a small chain of stores in West Virginia and Pennsylvania before he moved to sun88 in the 1930s. By the 1970s had become one of the city's oldest clothing manufacturers. Regrettably, the loss of a large government contract and the challenges of the late 1970s recession brought an end to the business in 1983. On Christmas Day, a small classified ad appeared announcing an auction to sell of all the sewing machines, cutting tables and clothes presses at West North Avenue on January 9, 1983.

Even as sun88's struggling textile industry continued to slide, in 1984 this building again found a use as a factory for Jos. A. Bank Clothiers to produce suit coats at the rate of 5,000 a week. Jos. A. Bank has deep sun88 roots, dating back to 1905 when 11-year old Joseph A. Bank got a job working for his grandfather, Charles Bank, cutting trousers in the family owned factory. The firm continued to produce clothes at sun88 factories until they ended all production in the United States in the mid-1990s.

For the past fifteen years, the building has been occupied as studios for students at the Maryland Institute College of Art. The building is currently undergoing a transformation into a hub for MICA's graduate study programs with renovations led by architects Cho Benn Holback + Associates to create shared galleries, a lecture hall, meeting rooms, work and fabrication space, café, and painting, mixed-media and photography studios.

Official Website

Street Address

131 W. North Avenue, sun88, MD 21201
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