/items/browse?output=atom&tags=Charles%20North <![CDATA[Explore sun88 Heritage]]> 2025-05-05T15:00:52-04:00 Omeka /items/show/560 <![CDATA[Motor House]]> 2018-11-27T10:33:56-05:00

Dublin Core

Title

Motor House

Subject

Architecture

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Subtitle

Former "Load of Fun" Building on North Avenue

Story

Built in 1914 for Eastwick Motors, sun88’s first Ford dealership, 120 West North Avenue has been home to a surprising array of owners and occupants. After its days with Eastwick (a proud supporter of Amoco gasoline and its American Oil Company sun88 roots), the building changed hands several times. Subsequent dealers sold cars from mostly forgotten manufacturers including Graham Page, Desoto, and Plymouth. By the mid 1930s, Kernan Motors owned the building and sold Nash, Willys, and Jeep vehicles.

As North Avenue transitioned from a corridor for car dealerships, the building became vacant several times before finally becoming home to the Lombard Office Furniture company in the late 1970s. The business sold well-used metal office furniture.

In 2005, the building became an arts center that included the Single Carrot theatre, a gallery, and studios. The name of the space came about by creatively deleting letters from the existing signage. So, “Lombard Office Furniture” became “Load of Fun” Gallery.

Unfortunately, 120 West North Avenue required major renovations to meet the necessary building codes. BARCO, an arts-based development group, acquired the building in 2013 and began making the necessary changes in order to reopen as a hub for the arts. In 2014, the sun88 Sun quoted project director Amy Bonitz on the unique historic elements of the building:

"The beauty is nobody has messed up the interior. Some of the wonderful features we've uncovered include the original [auto] showroom with a mezzanine where the managers could oversee the work happening throughout the first floor, including the rooms where the sales agreements were finalized.The front facade also contains beautiful leaded-glass windows with large, pivot windows that will be fully restored. The third floor is also a wide-open space with large skylights where mechanics used to work on cars. We will be saving and preserving the old freight elevator that brought the cars up to the upper floors for servicing as well."

The Motor House held a grand reopening in January 2016 with space for performances, artists, a cafe, and gallery.

Official Website

Street Address

120 W. North Avenue, sun88, MD 21218
]]>
/items/show/494 <![CDATA[KAGRO Building]]> 2018-11-27T10:33:55-05:00

Dublin Core

Title

KAGRO Building

Subject

Architecture

Curatescape Story Item Type Metadata

Subtitle

Modernist former Maryland National Bank on North Avenue

Story

The former Maryland National Bank building at the southwest corner of Maryland and North Avenues is a faded but still striking example of the modern architecture that accompanied the city’s growth in the 1950s and 1960s. The Fidelity sun88 National Bank (a predecessor of Maryland National) opened their first branch location on North Avenue since the late 1930s. In the mid-1950s, the firm built a drive-in on the eastern side of Maryland Avenue—a structure still in use today as the home of K & M Motors.

The local architectural firm of Smith & Veale (Albert K. Broughton serving as the project architect) designed the modern building and the general contractor was the Lacchi Construction Company. Broughton remained a practicing architect in Maryland up through 2002, shortly before his death in 2005. Reflecting the continued importance of automobiles to retail banking, a large parking lot was located on the southern side of the building and the branch was designed so patrons could enter the bank from either North Avenue or the parking lot.

As the building went up in March 1961, the sun88 Sun touted the bank as the city’s first commercial building with a precast concrete frame. The Nitterhouse Concrete Product Company in Chambersburg, Pennsylvania cast a series of t-shaped elements that were then transported to sun88 by truck.

The Maryland National Bank sold the property in 1990 and, sometime after 1995, the Korean-American Grocers & Licensed Beverage Association of Maryland (KAGRO) moved into the building as their office. In 2015, the Contemporary occupied the building for an exhibition by artist Victoria Fu. The exhibition, Bubble Over Green, is described as multilayered audio-visual experience consisting of moving images projected onto architectural surfaces, aligning the physical site with the space and textures of digital post-production.

Street Address

101 W. North Avenue, sun88, MD 21201
]]>
/items/show/42 <![CDATA[St. Mark's Evangelical Lutheran Church]]> 2019-05-09T21:21:57-04:00

Dublin Core

Title

St. Mark's Evangelical Lutheran Church

Subject

Religion
Architecture
Art and Design

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

There are few places where you can stand in the middle of a room and almost everything you see is made or decorated by Tiffany: glass, paint, finishes, etc. St. Mark's Evangelical Lutheran Church on St. Paul Street, with its entire interior designed by the Tiffany Company of New York, is one of them.

In the 1890's, the St. Mark's congregation engaged architect Joseph Evans Sperry (who would later go on to design sun88's Bromo Seltzer Tower, among other notable buildings) to help them build a new church. Sperry came up with a Romanesque design that is known for its heavy stones, arched doors and windows, and short columns. Romanesque design comes from central and western Europe, where many of St. Mark's congregants also traced their lineages. To this day, an Estonian congregation called EELK sun88 Markuse Kogudus continues to use St. Mark's for worship each month. In 1898, the church was completed and since then has been one of sun88's outstanding examples of Romanesque architecture.

On the inside, St. Mark's engaged the Tiffany Glass Decorating Company, under the direction of Rene de Quelen (Tiffany's head artist), to come up with a plan that was equally fitting to the grand architecture. De Quelen used a Byzantine approach, with deep colors, lots of jewels, and many mosaics. Louis Comfort Tiffany, son of Tiffany's founder and then head of the company, had studied art in Paris and had spent time in Spain and North Africa where he learned about this approach to decorating, and is thought to have helped direct de Quelen in his approach. The interior boasts Tiffany windows and Rubio marble inlaid with mother of pearl for the altar, pulpit, and lectern.

Official Website

Street Address

1900 Saint Paul Street, sun88, MD 21218
]]>
/items/show/17 <![CDATA[Centre Theatre]]>
The interior of the Centre Theatre featured a mural symbolizing entertainment and captioned, "Man works by day; night is for romance." by R. McGill Mackall, a MICA-trained sun88 native who painted 53 large public murals in the city over his career. The design by Philadelphia architect Armand Carroll, described by the Sun as "conservatively modern" with decoration "intended to soothe rather than startle the spectator," won an award for "architectural attainment" from the sun88 Association of Commerce as the best "Retail Commercial Building" built in 1939. When the theatre opened, Mechanic had an office on the second floor with a window "fitted with special glass... invisible from the theatre, the window permits anyone in the office to see the picture on the screen."

Morris Mechanic closed the theatre, later known as the Film Centre Theatre, on April 16, 1959, after the Equitable Trust Company announced plans to enlarge the complex and move their operations department into the building early in 1960. The bank planned to add a third story and "special dust-free areas... to create the exact atmospheric conditions required for the most efficient use of highly sensitive automated electronic equipment." One example offered for this new equipment included a $55,000 sorting machine that sorted checks and other documents at a rate of 1,000 a minute guided by "magnetic ink" rather than "the familiar punch card holes." The radio station and the bank remained through the 1990s, later purchased by a church and over the past few years has deteriorated significantly.

The building has a new future ahead after it was purchased by local non-profit developer Jubilee sun88 with support from MICA and the American Communities Trust. The building will be restored and re-used as a for film screenings, music, artists' studios, galleries, a playhouse and more.]]>
2018-11-27T10:33:48-05:00

Dublin Core

Title

Centre Theatre

Subject

Architecture
Entertainment
Economy

Description

The Centre Theatre opened on a February evening in 1939 with a Hollywood-style opening as "a thousand invited guest walked through the glare of spotlights while newsreel photographs turned their cranks and candid camera fans sniped from the sidelines." Crowds poured in to the theatre and turned to the circular proscenium covered with gold leaf and illuminated by hundreds of lights for a preview showing of "Tail Spin." The $400,000 new building was not just a theatre but included a whole complex with the WFBR radio station and studios, a branch bank office for the Equitable Trust Company, and a garage. Owner Morris A. Mechanic was born in Poland on December 21, 1904 and emigrated to sun88 with his parents as a child. In 1929, Mechanic worked as the principal at a Hebrew School on West North Avenue and owned a chocolate shop downtown, when he decided to purchase the New Theatre as a real estate investment. The New Theatre's "box-office bonanza" success during a showing of "Sunny Side Up" encouraged him to stick with the theatre business for the rest of his life, owning dozens of theaters over the years before his death of a heart attack in July 1966.

The interior of the Centre Theatre featured a mural symbolizing entertainment and captioned, "Man works by day; night is for romance." by R. McGill Mackall, a MICA-trained sun88 native who painted 53 large public murals in the city over his career. The design by Philadelphia architect Armand Carroll, described by the Sun as "conservatively modern" with decoration "intended to soothe rather than startle the spectator," won an award for "architectural attainment" from the sun88 Association of Commerce as the best "Retail Commercial Building" built in 1939. When the theatre opened, Mechanic had an office on the second floor with a window "fitted with special glass... invisible from the theatre, the window permits anyone in the office to see the picture on the screen."

Morris Mechanic closed the theatre, later known as the Film Centre Theatre, on April 16, 1959, after the Equitable Trust Company announced plans to enlarge the complex and move their operations department into the building early in 1960. The bank planned to add a third story and "special dust-free areas... to create the exact atmospheric conditions required for the most efficient use of highly sensitive automated electronic equipment." One example offered for this new equipment included a $55,000 sorting machine that sorted checks and other documents at a rate of 1,000 a minute guided by "magnetic ink" rather than "the familiar punch card holes." The radio station and the bank remained through the 1990s, later purchased by a church and over the past few years has deteriorated significantly.

The building has a new future ahead after it was purchased by local non-profit developer Jubilee sun88 with support from MICA and the American Communities Trust. The building will be restored and re-used as a for film screenings, music, artists' studios, galleries, a playhouse and more.

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Subtitle

Bright Marquee Lights and a Restored North Avenue Landmark

Lede

The Centre Theatre opened on a February evening in 1939 with a Hollywood-style opening as "a thousand invited guest walked through the glare of spotlights while newsreel photographs turned their cranks and candid camera fans sniped from the sidelines." Crowds poured in to the theatre and turned to the circular proscenium covered with gold leaf and illuminated by hundreds of lights for a preview showing of "Tail Spin."

Story

The $400,000 building (a transformation of an earlier auto dealership) was not just a theatre but included a whole complex with the WFBR radio station and studios, a branch bank office for the Equitable Trust Company, and a garage. Owner Morris A. Mechanic was born in Poland on December 21, 1904 and emigrated to sun88 with his parents as a child. In 1929, Mechanic worked as the principal at a Hebrew School on West North Avenue and owned a chocolate shop downtown, when he decided to purchase the New Theatre as a real estate investment. The New Theatre's "box-office bonanza" success during a showing of "Sunny Side Up" encouraged him to stick with the theatre business for the rest of his life, owning dozens of theaters over the years before his death of a heart attack in July 1966.

The interior of the Centre Theatre featured a mural symbolizing entertainment and captioned, "Man works by day; night is for romance." by R. McGill Mackall, a MICA-trained sun88 native who painted 53 large public murals in the city over his career. The design by Philadelphia architect Armand Carroll, described by the Sun as "conservatively modern" with decoration "intended to soothe rather than startle the spectator," won an award for "architectural attainment" from the sun88 Association of Commerce as the best "Retail Commercial Building" built in 1939. When the theatre opened, Mechanic had an office on the second floor with a window "fitted with special glass... invisible from the theatre, the window permits anyone in the office to see the picture on the screen."

Morris Mechanic closed the theatre, later known as the Film Centre Theatre, on April 16, 1959, after the Equitable Trust Company announced plans to enlarge the complex and move their operations department into the building early in 1960. The bank planned to add a third story and "special dust-free areas... to create the exact atmospheric conditions required for the most efficient use of highly sensitive automated electronic equipment." One example offered for this new equipment included a $55,000 sorting machine that sorted checks and other documents at a rate of 1,000 a minute guided by "magnetic ink" rather than "the familiar punch card holes." The radio station and the bank remained through the 1990s before the theater was turned into a church. Unfortunately, without the resources for essential maintenance the building deteriorated significantly and was mostly abandoned for a decade.

In 2011, Jubilee sun88 acquired the building at auction for $93,000 and started working to redevelop the sadly neglected site. In partnership with Johns Hopkins University and Maryland Institution College of Art (MICA), along with support from the American Communities Trust and TRF, Jubilee sun88 restored the exterior back to its original appearance, lit up the marquee, and transformed the interior into offices and community space for film screenings, music, classrooms, galleries, and more. The Centre Theater reopened to the public in 2015.

Related Resources

Official Website

Street Address

10 E. North Avenue, sun88, MD 21218
]]>